Nick Turse
This fabulous and iconic picture, by the great photojournalist known as Chim, was taken in 1947 on Omaha Beach, in Normandy, where massive slaughter had been seen just a few years before. It’s now in a show called “We Went Back: Photographs from Europe 1933-1956 by Chim”, at the International Center of Photography in New York. This is just about the most lyrical image that Chim ever shot, and there’s something especially great about his rare use of color film for it. We mostly think of this era, and its horrors, as having happened in black and white, so it’s lovely that an image of recovery should glow, Oz-like, in soft polychrome.
© Chim (David Seymour)/Magnum Photos

This fabulous and iconic picture, by the great photojournalist known as Chim, was taken in 1947 on Omaha Beach, in Normandy, where massive slaughter had been seen just a few years before. It’s now in a show called “We Went Back: Photographs from Europe 1933-1956 by Chim”, at the International Center of Photography in New York. This is just about the most lyrical image that Chim ever shot, and there’s something especially great about his rare use of color film for it. We mostly think of this era, and its horrors, as having happened in black and white, so it’s lovely that an image of recovery should glow, Oz-like, in soft polychrome.

© Chim (David Seymour)/Magnum Photos

futurejournalismproject:


Syrian Death Map
Via the Guardian:


The conflict in Syria continues to claim lives, over a year since the war started - especially in west of the country. This map, created for us by the team at CartoDB, uses data from Syrian Shuhada - also used by the UN - and each circle represents the number of people who died each day. The play button starts the calendar of deaths, which can be paused at any point


Via CartoDB


One of these online activists involved in “the media war” is curating a casualties database based on information from several websites that have already documented killings or casualties from direct sources. The “Syrian Revolution Martyr Database” (www.SyrianShuhada.com) currently collects detailed info and links to 22.601 deaths since March, 2011…
…The Vizzuality team worked on the visualization. The map is powered by CartoDB to manage and serve the timeseries data and uses d3.js for the animated datapoints and graph.
The man behind the Syrian Suhada database —who did not share his personal information— launched the project in early May 2011. He designed the website and back-end database, and populated it initially with the first available data on casualties. Currently a team of 2 curate the data contained on the site


Image: Screenshot, Syria conflict: a year of deaths mapped. Via The Guardian.

futurejournalismproject:

Syrian Death Map

Via the Guardian:

The conflict in Syria continues to claim lives, over a year since the war started - especially in west of the country. This map, created for us by the team at CartoDB, uses data from Syrian Shuhada - also used by the UN - and each circle represents the number of people who died each day. The play button starts the calendar of deaths, which can be paused at any point

Via CartoDB

One of these online activists involved in “the media war” is curating a casualties database based on information from several websites that have already documented killings or casualties from direct sources. The “Syrian Revolution Martyr Database” (www.SyrianShuhada.com) currently collects detailed info and links to 22.601 deaths since March, 2011…

…The Vizzuality team worked on the visualization. The map is powered by CartoDB to manage and serve the timeseries data and uses d3.js for the animated datapoints and graph.

The man behind the Syrian Suhada database —who did not share his personal information— launched the project in early May 2011. He designed the website and back-end database, and populated it initially with the first available data on casualties. Currently a team of 2 curate the data contained on the site

Image: Screenshot, Syria conflict: a year of deaths mapped. Via The Guardian.

This fabulous and iconic picture, by the great photojournalist known as Chim, was taken in 1947 on Omaha Beach, in Normandy, where massive slaughter had been seen just a few years before. It’s now in a show called “We Went Back: Photographs from Europe 1933-1956 by Chim”, at the International Center of Photography in New York. This is just about the most lyrical image that Chim ever shot, and there’s something especially great about his rare use of color film for it. We mostly think of this era, and its horrors, as having happened in black and white, so it’s lovely that an image of recovery should glow, Oz-like, in soft polychrome.
© Chim (David Seymour)/Magnum Photos
(via Omaha Beach by Chim at the ICP is the Daily Pic by Blake Gopnik - The Daily Beast)

This fabulous and iconic picture, by the great photojournalist known as Chim, was taken in 1947 on Omaha Beach, in Normandy, where massive slaughter had been seen just a few years before. It’s now in a show called “We Went Back: Photographs from Europe 1933-1956 by Chim”, at the International Center of Photography in New York. This is just about the most lyrical image that Chim ever shot, and there’s something especially great about his rare use of color film for it. We mostly think of this era, and its horrors, as having happened in black and white, so it’s lovely that an image of recovery should glow, Oz-like, in soft polychrome.

© Chim (David Seymour)/Magnum Photos

(via Omaha Beach by Chim at the ICP is the Daily Pic by Blake Gopnik - The Daily Beast)

simply-war:


A government soldier drapes a stuffed lion over his rifle as he fights a battle in Senaki during the Georgian Civil War. After the disintegration of the Soviet Union in 1991, the Abkhazia region demanded independence from Georgia, plunging the country into an ongoing internal conflict based largely on ethnic divisions. October 29, 1993. © Patrick Robert

simply-war:

A government soldier drapes a stuffed lion over his rifle as he fights a battle in Senaki during the Georgian Civil War. After the disintegration of the Soviet Union in 1991, the Abkhazia region demanded independence from Georgia, plunging the country into an ongoing internal conflict based largely on ethnic divisions. October 29, 1993. © Patrick Robert

newyorker:

Women and Violence in El Salvador, a slide show: http://nyr.kr/Q8mN46

It’s true that, last week, few in Congress cared to discuss, no less memorialize, the 10th anniversary of the invasion of Iraq. Nonetheless, two anniversaries of American disasters and crimes abroad — the “mission accomplished” debacle of 2003 and the 45th anniversary of the My Lai massacre — were at least noted in passing in our world. In my hometown paper, the New York Times, the Iraq anniversary was memorialized with a lead op-ed by a former advisor to General David Petraeus who, amid the rubble, went in search of all-American “silver linings.”

Still, in our post-9/11 world, there are so many other anniversaries from hell whose silver linings don’t get noticed. Take this April. It will be the ninth anniversary of the widespread release of the now infamous photos of torture, abuse, and humiliation from Abu Ghraib. In case you’ve forgotten, that was Saddam Hussein’s old prison where the U.S. military taught the fallen Iraqi dictator a trick or two about the destruction of human beings. Shouldn’t there be an anniversary of some note there? I mean, how many cultures have turned dog collars (and the dogs that go with them), thumbs-up signs over dead bodies, and a mockery of the crucified Christ into screensavers?

Or to pick another not-to-be-missed anniversary that, strangely enough, goes uncelebrated here, consider the passage of the USA Patriot Act, that ten-letter acronym for “Uniting and Strengthening America by Providing Appropriate Tools Required to Intercept and Obstruct Terrorism”? This October 26th will be the 11th anniversary of the hurried congressional vote on that 363-page (essentially unread) document filled with right-wing hobbyhorses and a range of provisions meant to curtail American liberties in the name of keeping us safe from terror. “Small government” Republicans and “big government” Democrats rushed to support it back then. It passed in the Senate in record time by 98-1, with only Russ Feingold in opposition, and in the House by 357-66 — and so began the process of taking the oppressive powers of the American state into a new dimension. It would signal the launch of a world of ever-expanding American surveillance and secrecy (and it would be renewed by the Obama administration at its leisure in 2011).

Or what about celebrating the 12th anniversary of Congress’s Authorization for Use of Military Force, the joint resolution that a panicked and cowed body passed on September 14, 2001? It wasn’t a declaration of war — there was no one to declare war on — but an open-ended grant to the president of the unfettered power to use “all necessary and appropriate force” in what would become a never-ending (and still expanding) “Global War on Terror.”

Members of the U.S. Army Charlie Company pass a secondary explosion en route to Baghdad, Iraq, April 2003. Christopher Morris/VII

Members of the U.S. Army Charlie Company pass a secondary explosion en route to Baghdad, Iraq, April 2003. Christopher Morris/VII

Nick Turse: Exhuming Vietnam An interview with the author of 'Kill Anything That Moves' by Kelley B. Vlahos
Antiwar: The conventional wisdom is that war crimes and atrocities committed by U.S forces in Vietnam were isolated events perpetuated by a "few bad apples" – rogue units and platoons. How does your research – this book – shatter that perception?
Turse: The War Crimes Working Group offers irrefutable proof of atrocities committed by every major Army unit that deployed, every division and separate brigade that went to Vietnam. And just looking at the numbers, and then going to Vietnam and talking to people, I realized how pervasive the scale of that carnage was. This is what I try to convey in Kill Anything that Moves.
We’re talking about, according to the best estimates we have — two million Vietnamese civilian dead. Add to that five million wounded, and the best numbers that U.S. government came up with was about eleven million Vietnamese made refugees. On top of that, studies show that about four million Vietnamese were exposed to defoliants like Agent Orange.
Obviously, it’s beyond what a couple of rogue units, even a couple of rogue divisions could do. The level of carnage was almost unimaginable. I hope that Kill Anything that Moves helps to put the rest the idea of bad apples and rogue units.
Antiwar: The emphasis on body counts, the search and destroy missions, free fire zones, heavy artillery – are all tactical frameworks that you argue set the conditions for these war crimes and atrocities to happen, whether there were explicit orders to kill civilians or not. How do you counter the establishment histories, especially those that are used to teach officers today, that acknowledge many of these things but claim a) conditions on the ground made it difficult to do things much differently and b) most of our forces were indeed adhering to the proper rules of engagement.
Turse: I think it’s hard to argue against the fact that millions of Vietnamese were killed, wounded and made refugees. And this was due to deliberate U.S policies, like the use of unrestrained bombing and artillery shelling over a wide swath of the countryside, and due to search and destroy missions, and the overwhelming emphasis on body counts. It’s also irrefutable that these policies were dictated at the highest levels of the military. What I try to point out is that the American way of war did not just produce a random string of massacres but a veritable system of suffering. That system, the machinery of suffering and what it meant to the Vietnamese people, is what Kill Anything that Moves is meant to explain. I think it would be hard to look at those numbers and read the litany of daily events and come to any other conclusion. This was certainly policy, not bad apples.
Ropes from the hangman’s gallows are seen in Abu Ghraib Prison in Baghdad, Iraq, where political and criminal prisoners from the war were held, April 19, 2003. Ron Haviv/VII

Ropes from the hangman’s gallows are seen in Abu Ghraib Prison in Baghdad, Iraq, where political and criminal prisoners from the war were held, April 19, 2003. Ron Haviv/VII

Nick Turse: Exhuming Vietnam -- An interview with the author of 'Kill Anything That Moves' by Kelley B. Vlahos
Antiwar: The conventional wisdom is that war crimes and atrocities committed by U.S forces in Vietnam were isolated events perpetuated by a "few bad apples" – rogue units and platoons. How does your research – this book – shatter that perception?
Turse: The War Crimes Working Group offers irrefutable proof of atrocities committed by every major Army unit that deployed, every division and separate brigade that went to Vietnam. And just looking at the numbers, and then going to Vietnam and talking to people, I realized how pervasive the scale of that carnage was. This is what I try to convey in Kill Anything that Moves.
We’re talking about, according to the best estimates we have — two million Vietnamese civilian dead. Add to that five million wounded, and the best numbers that U.S. government came up with was about eleven million Vietnamese made refugees. On top of that, studies show that about four million Vietnamese were exposed to defoliants like Agent Orange.
Obviously, it’s beyond what a couple of rogue units, even a couple of rogue divisions could do. The level of carnage was almost unimaginable. I hope that Kill Anything that Moves helps to put the rest the idea of bad apples and rogue units.